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Oriana Consort

| www.theorianaconsort.org

Walter L. Chapin, Director; Caroline Harvey, Assistant Director

Type
32 voices: 8s-8a-8t-8b. Accomplished semi-professional chorale, based in Cambridge.

Repertoire
Eclectic repertory, spanning the Renaissance through the 21st century — including a commission premiered in December 2012.

Performances
Three performances of a December program in Cambridge, Boston, and Brookline: 1st half a cappella; 2nd half accompanied by a period instrumental ensemble. Three performances of a late February / early March a cappella program in Cambridge, Boston, and a suburb. Three performances of an early May a cappella program in Cambridge, Boston, and a suburb. All soloists in Oriana concerts are always Oriana members; we never engage non-member soloists.

Rehearsals
Sunday evenings 6-9 pm near Harvard Square, Cambridge. If the first performance of a concert program is on a Sunday, there is a Saturday afternoon final rehearsal on the preceding day. A few sectional rehearsals are sometimes arranged at other times.

Auditions: Yes

Contact: Email info@orianaconsort.org or director@orianaconsort.org to request information about Oriana or its performances. A detailed PDF writeup about the group is available on request.

Website:  www.theorianaconsort.org for info. To hear audio clips, click LISTEN.

Additional Information
Visit www.orianaconsort.org to purchase concert tickets online, to made a tax-free donation, and (soon) to join Oriana’s mailing list, by which you’ll receive concert announcements.

Oriana Consort

Upcoming Events

March 2017
$15 - $20

Endings and Beginnings: Choral music as remembrance

Sun, March 26 @ 5:00 pm - 6:30 pm
University Lutheran Church, 66 Winthrop Street
Cambridge, 02138
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The Oriana Consort presents Endings and Beginnings: Choral music as remembrance. The program includes Claudio Monteverdi’s Lagrime d’amante (Tears of a lover), selections from Herbert Howells’ Requiem, Gerald Finzi’s My spirit sang all day, Thomas Tomkins’ When David heard, and Clément Janequin’s Le chant des oiseaux (Birdsong). The concluding work is Aaron Copland’s In The Beginning, with the mezzosoprano solo sung alternately by Oriana’s Katheryn Currie and Tami Papagiannopoulos. Of these six a cappella choral works from the 16th, 17th,…

Find out more »
April 2017
$15 - $20

Endings and Beginnings: Choral music as remembrance

Sat, April 1 @ 8:00 pm - 9:30 pm
First Church Somerville UCC, 89 College Avenue
Somerville, 02144
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The Oriana Consort presents Endings and Beginnings: Choral music as remembrance. The program includes Claudio Monteverdi’s Lagrime d’amante (Tears of a lover), selections from Herbert Howells’ Requiem, Gerald Finzi’s My spirit sang all day, Thomas Tomkins’ When David heard, and Clément Janequin’s Le chant des oiseaux (Birdsong). The concluding work is Aaron Copland’s In The Beginning, with the mezzosoprano solo sung alternately by Oriana’s Katheryn Currie and Tami Papagiannopoulos. Of these six a cappella choral works from the 16th, 17th,…

Find out more »
$15 - $20

Endings and Beginnings: Choral music as remembrance

Sat, April 8 @ 8:00 am - 9:30 pm
First Lutheran Church, Boston, 299 Berkeley St
Boston, 02116
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The Oriana Consort presents Endings and Beginnings: Choral music as remembrance. The program includes Claudio Monteverdi’s Lagrime d’amante (Tears of a lover), selections from Herbert Howells’ Requiem, Gerald Finzi’s My spirit sang all day, Thomas Tomkins’ When David heard, and Clément Janequin’s Le chant des oiseaux (Birdsong). The concluding work is Aaron Copland’s In The Beginning, with the mezzosoprano solo sung alternately by Oriana’s Katheryn Currie and Tami Papagiannopoulos. Of these six a cappella choral works from the 16th, 17th,…

Find out more »
$15 - $20

Endings and Beginnings: Choral music as remembrance

Sun, April 23 @ 5:00 pm - 6:30 pm
First Parish in Concord, 20 Lexington Road
Concord, MA 01742 United States
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The Oriana Consort presents Endings and Beginnings: Choral music as remembrance. The program includes Claudio Monteverdi’s Lagrime d’amante (Tears of a lover), selections from Herbert Howells’ Requiem, Gerald Finzi’s My spirit sang all day, Thomas Tomkins’ When David heard, and Clément Janequin’s Le chant des oiseaux (Birdsong). The concluding work is Aaron Copland’s In The Beginning, with the mezzosoprano solo sung alternately by Oriana’s Katheryn Currie and Tami Papagiannopoulos. Of these six a cappella choral works from the 16th, 17th,…

Find out more »
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